Copyright infringement online

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Copyright infringement online

Copyright infringement online

Today in Albania, many organizations protect copyright, which authorizes the media based on some complex formulas approved by the Ministry of Culture, Ministry of Finance, etc.

Case 1: If an individual is a user of artistic, musical, or cinematographic works, you should approach the unique SUADA counter to obtain permission/authorization to use this material.

Case 2: AKDIE Claims to be the Only Licensed Agency for the Collective Administration of the Rights of Albanian Performing / Performing Artists in Albania

First issued in 2008 and with a license renewable continuously every three years, consisting of the expiry date under applicable law. Both agencies are in conflict and opposing litigation. Still, until the Court reaches a decision, the media must pay both agencies because the Ministry of Culture licenses them.

Copyright infringement is the infringement of an individual’s intellectual property. The breaking certainly brings the theft of an author’s original creation in various fields by another person who, through this stolen product, also has personal benefits without obtaining the author’s authorization. But to understand copyright infringement, we must first become familiar with the rights and limitations of a copyright holder.

A person can copy and distribute an individual’s work without harming anyone, and you may not be held liable. On the other hand, it is also possible to subject yourself to a legal process, even if the work owner stole no intent or knowledge. A typical example of copyright infringement is that some creators post their work online for download for a set fee. But it violates the rights of copyright download of a movie, television show, music, or e-book from a website not owned by the author who created it.

Website development also consists of the emergence of trademarks and services that have unique features. Music, movies, and books can be downloaded or viewed without physically visiting the shops or being sent to the shopper’s home. Similarly, cultural and sports events can be viewed online without going to a sports theater. Historically, music has been the first digital content available online. Intellectual property authors have rightly eaten the issue of counterfeiting and piracy as an obstacle to e-commerce. Piracy deprives creators of a fair reward, while counterfeiting distorts the market due to unfair competition between businesses.

One of the primary means of combating piracy is the submission of legal offers by providers. In parallel, cross-border trade development should help increase authors’ income by attracting potential clients from all member states. Since its creation and to this day, the Internet has been the fastest tool science has developed to create new communication links, unlimited access to information, and the personal use and exploitation of all the opportunities this option can offer.

However, such a necessary and speedy tool is undoubtedly one to bear in mind. It also brings a variety of problems, including immoral uses, which can even lead to violations of individual rights. Plagiarism, piracy on the web, downloading of music, films, etc., are considered an increasing phenomenon and a concern for the authors of these works whose economic and moral interests, in this case, are affected. Piracy is not a legal notion but was born to describe copyright infringement or fraud committed for profit. Trade. Any copying, reproduction, distribution without the author’s authorization for commercial gain, causing them economic harm, shall be considered piracy.

The story of the development and protection

Copyright has its beginnings in the history of Ancient Greece and the Roman Empire. At that time, however, it could not be copyrighted as it is known today. Economic rights at that time were not recognized, and the authors’ concern was to identify them as authors of their writings. Economic rights began to be claimed only by the 15th century when printing was invented. By then, copying a manuscript was a slow and complicated process, performed mainly by monks.

With the creation of the ability to print books easily and freely, piracy came up. By the end of the 15th century, printing technology in England facilitated rapid multiplication and the distribution of copies of written works, so the King decided to exercise the royal prerogative to regulate the book trade.

Many decrees were issued in England at that time, but they were intended merely to control the content of what was printed. The book printing monopoly was given to the guild system of printing houses, which checked whether the published books were hostile to the Church or the King.

From the beginning of the 18th century, book publishers in England pressed for a new type of copyright regime that would focus more on property rights than censorship. They demanded that copyright be an eternal right that belonged to booksellers, as were landowners’ rights. Thus in 1709, the first copyright act in the United Kingdom came into force, the Statute of Anne of 1709, which became law in 1711. The statute protected copyright in books and writings by others.

The statute did not fulfill many of the wishes of the booksellers, and he decided that the authors themselves would be the ones who should benefit from the copyright and not the booksellers. Also, copyright was conceived as a right that lasted up to 14 years and could be renewed for another 14 years. Therefore, the statute was intended to protect the consumer by banning the printing and book publishers’ monopolies. The offenses went into public possession as soon as the term of protection expired. Copyright infringement online

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